剧情简介
康沃尔渔村的风景明信片田园诗误导了人(🌰)们。虽(😘)然过去钓鱼(yú )是(shì )一种养家糊口(kǒu )的方式(shì )，但如今富(🏴)有的伦敦游客纷(fēn )纷下(xià )(👋)山(shān )，取代(❣)了当(🏇)地人，当地人(⚫)的生计因(👑)此受到威(🛍)胁(xié )。史(shǐ )蒂文(wén )和(💆)马丁兄弟的关(guān )(🏐)系(xì )(🚥)也很紧张。马丁是一(😚)个(gè )没有(yǒu )船的渔(🖍)夫，因为(wéi )史(shǐ )蒂文(wén )开始用它来为一整(🧚)天的游(yóu )客提供更赚钱的旅游。他们(🌑)卖掉(diào )(🌊)了这座(🥔)家庭别墅，现在看来，最后一场战斗是和新(⛓)主人在海(🍄)边(⛏)的停车位上展(🚻)开。然而，情况很快(kuài )就失控了(🐀)，而不仅仅是因(yīn )为车轮夹钳。 Bait是(🛎)一种黑白，手(shǒu )工制(zhì )作(zuò )，16毫米胶片制作的(🌼)电影(💹)。许多关于鱼、网、龙(lóng )(🐡)虾、长(zhǎng )靴、(😙)绳(shéng )(🤥)结和(hé )渔(yú )篮(lán )的(💏)特写镜头让(♌)人想起了蒙太奇景点的理(lǐ )(🌂)论(lùn )(🔙)。对不(🐖)同社会(🔫)阶(jiē )层的描述——可以(🎐)说是阶级关系(xì )—(🎦)—也让人想起了英国(👩)电影中的(de )(❓)社(shè )会现(🕺)实主义(yì )传(🚤)统(tǒng )。然而，最重要的是(🔮)，在(zài )(🈳)影像中(🍯)不同(🌲)层次的电影历(lì )史参考文献之(zhī )下(xià )，当前许多(duō )政治关(🎞)联(🚓)正(zhèng )在等(♊)待(dài )被发现。 (🏆) The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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